Interview with weaver Eliria Mepaquito

Wounaan Weaver | Aruza, Darién, Panama

Interview and translation from the artist’s words

“I began weaving when I was fourteen, learning from women in my village—friends, mentors, family. What I love most are geometric designs in oval shapes. They require the most precision and focus, and I like that. I choose them because they challenge me, and because the creative process is where I feel most alive.”

Eliria Mepaquito is a Wounaan basket artist from the remote village of Aruza in the Darién Rainforest of Panama. She lives there with her husband, Alfredo Membache, and their two children. Originally born in Capetí—upriver on the Rio Tuira—Eliria has spent her life in the rainforest, deeply rooted in both craft and community.

Her baskets are works of quiet mastery: elegant ovals stitched from hand-split Chunga and Naguala palm, dyed with plants like asafrán, p’ucham, bejuco, and solimán. Her favorite colors—black, chocolate brown, and gray—reflect a love for refinement and depth. But for Eliria, weaving is more than an art form. It’s a cultural statement, a spiritual act, and a way to support her family in the face of economic and social challenges.

“For many years I’ve also worked in farming, raised children, and served in my church. I teach weaving to other women, too—when there’s time. I want to pass on what I know, because our basketry isn’t just beautiful, it’s a part of who we are.”

Eliria is known in her community as la artista—a humble leader who encourages other women to develop their own creative paths. Her dream is simple but strong: to help her village, build a better home, and support the future of her church. She hopes her children can one day pursue a strong education and use their voice to advocate for their people.

“My hope is that more people learn to truly value our art—our culture—and give it their support.”